Nikon COOLPIX S9100
Nikon COOLPIX S9100 -
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Introduction
The Nikon COOLPIX S9100 is a 12.1 Megapixel concentrated super-zoom with an 18x optical telephoto lens and a 3in 4:3 aspect ratio LCD screen. Released in February 2011, its back-illuminated CMOS sensor provides it with fast continuous shooting capabilities, a 1080p30 HD best quality video modality and slow motion movies.
Other features that take advantage of the sensor's fast shot ability are three new composite scene modes, two for night shooting and one that produces HDR images for backlit and other subjects with a wide tonal roam.
This is the first COOLPIX compact to use a Nikkor ED spyglass lens, and the 18x optical zoom has an stupefying range, starting at 25mm and outreaching the competition with a 450mm telephoto. Like altogether Nikon compacts, the COOLPIX S9100 opts for sensor-shift (rather than optical lens-based) stabilization, and couples it with Motion Detection which automatically increases the ISO sensibility and shutter speed to avoid photographic camera shake.
Nikon has updated its basic Panorama Assist mode with the summation of a Pan-and-shoot Easy panorama musical mode on a par with what's been available along selected Sony Cyber-shooter compacts for a couple of geezerhood today. The COOLPIX S9100's 18x zoom puts it in a strong competitive position up against models from Panasonic, Sony and Canon, simply beyond the headline specification does IT have the features in depth to provide a real alternative to models similar the Lumix TZ20 / ZS10, Cyber-shot HX9V and PowerShot SX230 HS. Record our full review to find unsuccessful.
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Nikon COOLPIX S9100 Design and controls
The COOLPIX S9100 measures 105x62x35mm which makes it pretty much identical in size to the TZ20 / ZS10, SX230 HS and HX9V. IT is a little barge though, and the petit mal epilepsy of an expanded grip – there's just a raised impressionable bar – makes information technology look slimmer. The front of the camera is covered with rubberised moldable which is practical, only also looks and feels rather pleasant. I initially thought the COOLPIX S9100 had a bit of a budget look virtually it, just over the weeks IT's grown along Maine. It's not as stylish as the PowerShot SX230 Hs and lacks the subject swank of the Lumix TZ20 / ZS10 and Cyber-gib HX9V, but is well-designed with clean and simple lines.
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Along the top control board is a recessed along-off button with an LED power indicator surround, a nice vauntingly shutter let go of button with zoom collar and a way dial that sits slenderly proud of the surface and is rif-operated. The COOLPIX S9100 follows the trend for pop-up flashes, this one is operated by a sensual tumble the left broadside of the body. The flashing has a quoted range of 4 Metres and recharges very promptly between shots – information technology's fix American Samoa soon as the camera is, near a forward if you turn the image preview off. The flash has five modes including Machine with red-eye reducing and slow-sync.
Flash modes are chosen using the four-way master wheel connected the rear panel, the other ternion positions are allocated to exposure compensation, Macro direction and someone-timekeeper options and, of course, the wheel is as wel used to navigate menus. The knurled ring freewheels (unlike the one on the HX9V, for instance, which gently clicks into position every few degrees) and this takes a little getting victimized to before you can work confident menu selections without whizzing departed your target.
The COOLPIX S9100's 3 inch LCD screen has 921 thousand pixels and provides a detailed view with a wide viewing tip. Like the Cyber-shot HX9V, which has the same resolution, information technology's slightly deficient in contrast, though, which makes it a undersize more difficult to see in bright outdoors conditions. The plastic of the block out is slightly raised, which makes IT more usually susceptible to scuffs and scratches.
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You can connect the COOOLPIX S9100 to an HD TV via the miniskirt HDMI port on the honourable incline of the camera body, patc the A/V / USB port, for connecting the camera to a classic closure TV (cable television included) or to Microcomputer to transfer photos and movies, is located on the bottom, next to the combined battery and card compartment. In that location's about 74MB of internal memory, which is fine for emergencies but, for shooting video or to a higher degree a fewer shots, you'll need an SD card operating theater single of the newer SDHC operating theatre SDXC high capacity variants. Mount Rushmore State cards with a Speed Class military rank of 6 or higher are recommended for movie recording.
Nikon COOLPIX S9100 lens and stabilization
The S9100 is the one of first COOLPIX compacts to have a Nikkor ED glass lens, so Nikon is taking image quality seriously, but what will interest people more is the visual zoom range: 18x extending from a 25mm super-optical lens to a 450mm telephoto. This is pretty impressive in its own properly, but what's significant is that it offers more telephoto mountain range than the competition. Crucially, it outreaches Panasonic's Lumix TZ20 /ZS10 by 66mm, sufficient to make quite a dispute to the field of honor of view. The COOLPIX S9100's utmost aperture is f3.5.
| Nikon COOLPIX S9100 reporting encompassing | Nikon COOLPIX S9100 reporting tele | |
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| 4.5 – 81mm at 4.5mm (25mm equivalent) | 4.5 – 81mm at 81mm (450mm equivalent) |
Whereas Panasonic, Sony and Canon favour lens-shift optical image stabilisation, the COOLPIX S9100 uses a sensor-shift system. Vibration simplification moves the detector to compensate for camera movement and, hopefully, decimate blurring of the visualise caused past camera shake. The COOLPIX S9100 can kinda cleverly detect if you're panning and bound stabilisation to one plane, depending connected whether you're holding the camera in landscape or portrait mode. So there's nary need for manually set panning modes, but you can turn it off if you have the photographic camera mounted along a tripod and there's besides a Hybrid mode which augments the somatogenetic sensor-shift system with 'Physical science vibration decrease' – post processing to remove any residual blurring.
The crops below are from images shooter with the COOLPIX S9100 at its maximum 450mm rapid growth setting with Vibration simplification set to Off (leftish) and On (right). At 1/30th of a second the COOLPIX S9100 is managing an impressive four boodle of stabilisation.
| Nikon COOLPIX S9100, Vibration reduction Off / On | ||||
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| 100% crop, 4.5-81mm at 81mm, 160 ISO 1/30th, Auto, Vibration reduction Off. | 100% crop, 4.5-81mm at 81mm, 160 ISO 1/30th, Auto, Vibration simplification Happening. | |||
Nikon COOLPIX S9100 shooting modes
The COOLPIX S9100 doesn't provide manual control over exposure settings, the closest thing being Machine exposure mode which allows you to set, among other things, the ISO sensitivity, white balance, metering and AF area mode. The conclusion of these offers the pick of nine-arena AF, Centre AF, Subject trailing, Aspect priority and Manual. All work precise well in good light, simply have their limitations when conditions become submarine-optimal. The Baseball club-area AF system seldom put a foot wrong and the misleadingly-named manual AF, which allows you to select from one of 99 areas on the screen adds flexibility. Expression priority works like a dream, providing people are within a couple of metres of you and looking directly at the tv camera, but formerly they move away or turn side-thereon's less irrefutable.
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The next position on the mode telephone dial activates Scene auto selection mode which uses scene detection to mechanically select one of seven scene modes. Leash of these, Night Landscape, Night Portraiture and Backlighting have their own dedicated positions along the mode dial and all three shoot multiple exposures from which a composite image is produced. Every three modes have a tripod option which disables Shaking reduction shoots a single image using a thirster exposure of adequate one second.
Backlighting also has an HDR pick. When this is set to off the COOLPIX S9100 uses the Flash (you birth to remember to pop it up) for fill-in light for a single photograph. Turn HDR connected and quadruple exposures are shot when you press the shutter release and two images are saved. The first is a one-member trope processed using Nikon's D-lighting process that enhances fantas detail, the second is an HDR composite.
The Scene mode position allows you fix your own assessment of the conditions and opt an appropriate conniption mode. Mostly these are the usual fare – Portrait, Landscape, Sports, Snow, sunset and the equivalent. There is, however, one interesting new addition. Past COOLPIX compacts have included Diorama assist mode which provides an overlap guidebook to help you align shots for resultant stitching on a PC. The S9100 adds a new easy mode which produces a finished view from a panned shot.
| Nikon COOLPIX S9100 Easy panorama | ||||
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| Click effigy to access original at Flickr | ||||
If you've of all time exploited the iSweep panorama modality on a Cyber-shot compact, that tells you pretty very much each you need to know all but how the new Light panorama mode on the COOLPIX S9100 works. Two options Normal (180) and Wide (360) can be used with the camera in either portraiture operating theater landscape predilection to produce images with a maximum horizontal line of business of view of 360 degrees and a resolution of 1024 x 6400 pixels. It's great to see a COOLPIX compact finally making bird's-eye photography easy, even if Sony has raised the bar with the Cyber-blastoff HX9V offering a 43 Megapixel high resolution cyclorama mode. The example above was taken in Normal musical mode and you can see the instinct resolution image at flickr by clicking IT.
There's one more position on the mode telephone dial, Personal effects includes six special personal effects filters, including a sepia and monochrome effect. Even if you're of the view that effects filters are a bit of a gimmick, this is a pretty uninspiring array that lacks whatever of the merriment Oregon trinke of, for example, the PowerShot SX320 HS productive filters.
Nikon COOLPIX S9100 movie modes
The best quality movie modality happening the COOLPIX S9100 is 1080p30, encoded in H.264 at an common bit rate of 14Mbps and found in a QuickTime file with a .mov extension. In that respect's a second 1080p30 mode which encodes at a slightly reduced bit rate of 12Mbps, followed by 720p (9Mbps) and VGA resolutions. The COOLPIX S9100 give the axe also create pic files in iFrame initialise which has a frame size of 960 x 540 pixels and is much break suited to editing, particularly on older, slower PCs, than H.264.
The COOLPIX S9100 has a dedicated movie record button conveniently situated to the right on of the dimpled quarter round plod on the as impanel. It's good to see Nikon adopt this layout after our criticisms of the reversed arrangement on the earlier COOLPIX S8000. You can use the sense organ zoom during film shot, which is slowed and noise-dampened and you can too shoot attenuate resolution 16:9 stills using the shutter release button.
It's a real ignominy that sensing element-shift stabilization is not enabled for movie shot. Electronic VR can be applied, but it's not intimately every bit strong. Another drawback of using the powerful zoom during film shooting is that the Autofocus has realistic difficulty keeping things sharp. While it's common for the focus to wander a little during zooming, on different occassions the COOLPIX S9100 left home ne'er to reappearance.
In addition to the 'normal' movie modes there are 2 slow motion modes that record in 4:3 aspect ratio at quarter speed (640 x 480) and 1/8th speed (320 x 240) with a upper limit transcription time of 10 seconds.
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| Download the original file (Registered members of Vimeo only) |
In the absence of optical image stabilisation, this handheld panning shot starts to look pretty wobbly. But a much large problem is the center during zooming, which loses it pretty badly and ne'er recovers.
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| Download the original file (Registered members of Vimeo only) |
Contempt the problems with the stress connected the past nip off, the quality of the COOLPIX S9100 1080p30 video is very good. And this time though in that respect's a little bit of erratic, the focus during zooming is very much improved.
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| Download the original file (Qualified members of Vimeo but) |
On this interior shot, its problematical to ignore the wobbles and the exposure control isn't very waxy, with noticeable stairs as the camera is panned across the bright catch to the bar.
Nikon COOLPIX S9100 handling
When you press the on/off button the COOLPIX S9100's lens extends and the television camera is gear up to shoot in a little under two seconds. The zoom rocker covers the range swiftly and provides good fine curb, though Nikon still insists on displaying the whole number section of the connected-screen whizz bar even when you've injured the digital zoom. In action the zoom motor sounds like a bag of spanners, but thankfully when movie shooting it's every only still.
The menu is a very simple three-chit affair with Shooting, Movie and Setup tabs accessed via the card clit happening the rear panel. The S9100 doesn't have a shortcut menu because it doesn't really motive one, there is, however, a neat little arrangement assigned to the Exposure recompense button which allows you to change not only the exposure, but white balance (Hue) and saturation (Vividness) using the control bicycle to adjust sliders.
The COOLPIX S9100 has a wide run of continuous shooting modes, simply only deuce of them operate at full 12 Megapixel closure. Continuous H shoots a burst of up to 5 frames at just under 10fps and Continuous L a explode of up to 24 frames at just under 2fps. And then there are reduced resolution 60 and 120fps burst modes at 2M and 1M resolutions respectively. Best shot Selector switch, operating room BSS mode shoots five images and saves the sharpest one and Multi-shot 16 shoots 16 images at around 30fps and arranges them in a 4×4 grid as a concentrated 2560 x 1920 image. In the end and perchance of most worry, in that location's a Pre-shooting cache mode that starts buffering images when you half-press the shutter release and includes two cached images serial of five guesswork at just about 7fps.
The COOLPIX S9100's 12.1 Megapixel backlit CMOS sensor shoots images with a maximum answer of 4000 x 3000 pixels. At the largest image size there's a choice of two compression settings and the best quality one produces JPEG images with an average file size up of around 4.5MB. The ISO sensitiveness ranges from 160 to 3200 ISO and the shutter hotfoot ranges from 1s to 1/2000 extending to 1/4000 in continuous modes and 4 seconds in Fireworks Show scene modality.
To see how the calibre of the Nikon COOLPIX S9100 measures-up in use, get a load at our real-lifespan resolving and high ISO resound results pages, browse the try out images gallery, or skip to the chase and head straight for our finding of fact.
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Nikon COOLPIX S9100
Source: https://www.cameralabs.com/nikon_coolpix_s9100/
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